《万相之王》2.0如同片名故事的核心是主角对"House of Gucci"的执念、资本主义的改朝换代而非目前翻译的“家族” 雷德利·斯科特对美术和“格调”的依赖造成了导演层面的懒惰配上维基百科式的剧本呈现和被过度放任的表演古典和坎普的部分互不相容让电影只透出一种尴尬的平庸不过还是比《14MAY18_XXXXXL7777》要好点……
one day of all last, stubbing from the dark woods from my own, my family and my country’s past, in my hands is truth, that love grows from forgiveness, that from destruction comes renovation, that the evidence of gods exists in our connections to one another. This much, at least, I figured out. I know this much is true.